Unapologetic
• November 20, 2012 • Leave a CommentPosted in Album Review, Rihanna
Tags: '80s music, '90s music, 1988, 2012, 2013, 24, acoustic, acoustic music, acoustic pop, Adele, album, Album Review, Alone, America, American, Barbados, beat, Benny Blanco, Billboard, Brian Kennedy, Caribbean, Carlos McKinney, Chase & Status, chopped and skewed, Chris Brown, Chris Brown and Rihanna, classic, classical music, club, club music, dance, dance break, dance music, David Guetta, Def Jam, delivery, Diamonds, disc, drugs, dubstep, Echo Boom, EDM, electronic, electronic music, electronica, Elof Loelv, eminem, Emma Stone, female vocalist, Firebomb, Flippa, Fool in Love, Future, Gen Y, Giorgio Tuinfort, Greyhound, Guetta, harmony, HEART, Hip-Hop, instrument, instrumentation, island feel, Japanese Pop, Jay-Z, Jessie J, Jump, Justin Parker, La Roux, Labrinth, Lost in Paradise, Loud, love music, Love Without Tragedy, Love Without Tragedy / Mother Mary, Loveeeeeee Song, lovelorn, lyric, lyrics, Man Down, marijuana, melody., Michael Cera, Michael Jackson, Mike Will Made-It, Mikey Mike, Mikky Ekko, Millenials, modern music, Mother Mary, music, music critic, music review, musical artist, musical delivery, Namie Amuro, Nas, Naughty Boy, Nicki Minaj, Nicky Romero, No I.D., No Love Allowed, Nobody's Business feat. Chris Brown, Nobody's Business featuring Chris Brown, Numb, Numb featuring Eminem, Oakwud, ode, Only Girl in the World, ostinato, Parker Ighile, party, party music, Patrick Mullins, Phresh Out the Runway, Pony, pop, pop / rock, pop star, Pop Wansel, Pour It Up, prayer, R&B, rap, Rated R, Review, Rihanna, Rihanna and Chris Brown, Rihanna's seventh album, Robyn Rihanna Fenty, Roc, rock, Rock n' Roll, rolling, sample, sampled music, Saturday Night Live, sax, seventh album, Single, Single Review, Skin, Skrillex, SNL, Song, speak-sing, SRP, Stargate, Stay, string quartet, studio, T-Pain, Talk that Talk, Taylor Swift, Thanksgiving, The Way You Make Me Feel, The-Dream, track, Umbrella, Umbrella ft. Jay-Z, United World Chart, vinyabarion, What Now, Who's Afraid of Music, World Music, 安室奈美恵
Songs I’m Loving Right Now: Mid-June 2012
• June 12, 2012 • Leave a CommentPosted in Single Review
Tags: 80s, Album Review, Aly & AJ, America, American Idol, Axwell, Baroque, Bonnie McKee, Breaking the Spell, Call Me Maybe, Canada, Canadian Idol, Carly Rae Jepsen, Chauncey Hollis, chris daughtry, club music, Come on a Cone, Curiosity, dance, daughtry, Def Leppard, DJ Daaar, electronica, EMI, Flyleaf, Greyhound, Gwen Stefani, Hans Zimmer, Hip-Hop, hiphop, Hit-Boy, house, How We Do, How We Do (Party), Howard Bensen, Interscope, Josh Ramsay, Kelly Clarkson, Kelly Sheehan, Kenoe, Kesha, Kosovo, Marti Frederiksen, Maurice Jordan, Michelle Branch, music, music blog, music review, Nickelback, Nicki Minaj, O.R.A., One Night Stand, Patrick Mullins, Pink Friday, Pink Friday... Roman Reloaded, pop, R&B, radio single, radio songs, rap, RCA, Rihanna, Rita Ora, Roc Nation, Roman Reloaded, Sebastian Ingrosso, Single, Single Review, Steve Angello, Swedish House Mafia, Tauheed Epps, The Monarchs, The Runners, TiK ToK, Top 40, Travish Crowes, UK, Universal Republic, Victor Alexander, vinyabarion, Who's Afraid of Music, World Music, Young Money, Zoe Dechanel, Zooey Deschanel
1991 EP
• May 29, 2012 • Leave a CommentPosted in Album Review, Azealia Banks
Tags: #1991EP, 1991, 2012, 212, 212 feat. Lazy Jay, Azaelia Banks, Azealia Banks, house, Liqourice Bitch, M.I.A., rap, Van Vogue
Animal
• January 20, 2010 • 3 CommentsPosted in Album Review, Ke$ha
Tags: 2010, 3OH!3, Album Review, Animal, Backstabber, Blah Blah Blah, Boots & Boys, electropop, Entertainment Weekly, Hip-Hop, Ke$ha, Kesha, music, music review, Party at a Rich Dude's House, Patrick Mullins, pop, Pop/Rock, rap, rock, Stephen, Taylor Swift, TiK ToK, Who's Afraid of Music
