Unapologetic
• November 20, 2012 • Leave a CommentPosted in Album Review, Rihanna
Tags: '80s music, '90s music, 1988, 2012, 2013, 24, acoustic, acoustic music, acoustic pop, Adele, album, Album Review, Alone, America, American, Barbados, beat, Benny Blanco, Billboard, Brian Kennedy, Caribbean, Carlos McKinney, Chase & Status, chopped and skewed, Chris Brown, Chris Brown and Rihanna, classic, classical music, club, club music, dance, dance break, dance music, David Guetta, Def Jam, delivery, Diamonds, disc, drugs, dubstep, Echo Boom, EDM, electronic, electronic music, electronica, Elof Loelv, eminem, Emma Stone, female vocalist, Firebomb, Flippa, Fool in Love, Future, Gen Y, Giorgio Tuinfort, Greyhound, Guetta, harmony, HEART, Hip-Hop, instrument, instrumentation, island feel, Japanese Pop, Jay-Z, Jessie J, Jump, Justin Parker, La Roux, Labrinth, Lost in Paradise, Loud, love music, Love Without Tragedy, Love Without Tragedy / Mother Mary, Loveeeeeee Song, lovelorn, lyric, lyrics, Man Down, marijuana, melody., Michael Cera, Michael Jackson, Mike Will Made-It, Mikey Mike, Mikky Ekko, Millenials, modern music, Mother Mary, music, music critic, music review, musical artist, musical delivery, Namie Amuro, Nas, Naughty Boy, Nicki Minaj, Nicky Romero, No I.D., No Love Allowed, Nobody's Business feat. Chris Brown, Nobody's Business featuring Chris Brown, Numb, Numb featuring Eminem, Oakwud, ode, Only Girl in the World, ostinato, Parker Ighile, party, party music, Patrick Mullins, Phresh Out the Runway, Pony, pop, pop / rock, pop star, Pop Wansel, Pour It Up, prayer, R&B, rap, Rated R, Review, Rihanna, Rihanna and Chris Brown, Rihanna's seventh album, Robyn Rihanna Fenty, Roc, rock, Rock n' Roll, rolling, sample, sampled music, Saturday Night Live, sax, seventh album, Single, Single Review, Skin, Skrillex, SNL, Song, speak-sing, SRP, Stargate, Stay, string quartet, studio, T-Pain, Talk that Talk, Taylor Swift, Thanksgiving, The Way You Make Me Feel, The-Dream, track, Umbrella, Umbrella ft. Jay-Z, United World Chart, vinyabarion, What Now, Who's Afraid of Music, World Music, 安室奈美恵
New Artist Alert: CoMa
• July 29, 2012 • 1 CommentPosted in CoMa, Koda, New Artist Alert, POLYHYMNIΔ
Tags: 2012, ambient, ambient music, anti-genre, Bristol, britain, classical, collaboration, CoMa, critic, criticism, DIY music, dream-hop, electronica, England, English, ep, female vocalist, fluoescent records, folk, future garage, future pop, garage, Jewel, Koda, may the bridges i burn light my way ep, music, music critic, music review, new music, piano, POLYHYMNIΔ, pop, salisbury, Somerset, soundcloud, Stonehenge, UK garage, Who's Afraid of Music, wiltshire
Fluorescent Records Presents: Summer Vacation Part 1
• July 13, 2012 • Leave a CommentPosted in Album Review, BL▲CK CEILING, Ceremonial Dagger, Compilation Album, CROSSPARTY, Elburz, PrettyFaces SplitOpen, Snakethread, VS//YOUTHCLUB
Tags: 10245, 1990s, 2012, 2012 music, 90s, ambient, BL▲CK CEILING, Ceremonial Dagger, Coffin, compilation, compilation album, CROSSPARTY, drug music, drums, E.T., Elburz, europop, Fluorescent Records, Fluorescent Records Presents: Summer Vacation, free music, Ghosts, indie, indie pop, interpolation, Jersey Shore, Katy Perry, micromovement, music critic, music critiscism, music review, ONE SUMMER, Owl City, Palo Alto, Patrick Mullins, PrettyFaces SplitOpen, PrettyFacesSplitOpen, Snakethread, Summer Vacation, synth, synthpop, Teenage Dream, vinyabarion, VS//YOUTHCLUB, Who's Afraid of Music, witch house
Call My Name
• June 4, 2012 • Leave a CommentPosted in Calvin Harris, Cheryl Cole, Girls Aloud, Single Review
Tags: #whosafraidofmusic, 2012, 3 words, A Million Lights, Beyoncé, British pop, Call My Name, Calvin Harris, Cheryl, Cheryl Cole, dance pop, Diana Ross, EDM, electronica, England, English, Fascination, Girls Aloud, house, Justin Timberlake, Messy Little Raindrops, music, music review, Mutt Lange, Newcastle, Nicola Roberts, Patrick Mullins, pop, Rihanna, Shania Twain, Single Review, Talk that Talk, three words, Tyneside, UK, vinyabarion, We Found Love, Who's Afraid of Music, will.i.am
1991 EP
• May 29, 2012 • Leave a CommentPosted in Album Review, Azealia Banks
Tags: #1991EP, 1991, 2012, 212, 212 feat. Lazy Jay, Azaelia Banks, Azealia Banks, house, Liqourice Bitch, M.I.A., rap, Van Vogue
