Unapologetic
• November 20, 2012 • Leave a CommentPosted in Album Review, Rihanna
Tags: '80s music, '90s music, 1988, 2012, 2013, 24, acoustic, acoustic music, acoustic pop, Adele, album, Album Review, Alone, America, American, Barbados, beat, Benny Blanco, Billboard, Brian Kennedy, Caribbean, Carlos McKinney, Chase & Status, chopped and skewed, Chris Brown, Chris Brown and Rihanna, classic, classical music, club, club music, dance, dance break, dance music, David Guetta, Def Jam, delivery, Diamonds, disc, drugs, dubstep, Echo Boom, EDM, electronic, electronic music, electronica, Elof Loelv, eminem, Emma Stone, female vocalist, Firebomb, Flippa, Fool in Love, Future, Gen Y, Giorgio Tuinfort, Greyhound, Guetta, harmony, HEART, Hip-Hop, instrument, instrumentation, island feel, Japanese Pop, Jay-Z, Jessie J, Jump, Justin Parker, La Roux, Labrinth, Lost in Paradise, Loud, love music, Love Without Tragedy, Love Without Tragedy / Mother Mary, Loveeeeeee Song, lovelorn, lyric, lyrics, Man Down, marijuana, melody., Michael Cera, Michael Jackson, Mike Will Made-It, Mikey Mike, Mikky Ekko, Millenials, modern music, Mother Mary, music, music critic, music review, musical artist, musical delivery, Namie Amuro, Nas, Naughty Boy, Nicki Minaj, Nicky Romero, No I.D., No Love Allowed, Nobody's Business feat. Chris Brown, Nobody's Business featuring Chris Brown, Numb, Numb featuring Eminem, Oakwud, ode, Only Girl in the World, ostinato, Parker Ighile, party, party music, Patrick Mullins, Phresh Out the Runway, Pony, pop, pop / rock, pop star, Pop Wansel, Pour It Up, prayer, R&B, rap, Rated R, Review, Rihanna, Rihanna and Chris Brown, Rihanna's seventh album, Robyn Rihanna Fenty, Roc, rock, Rock n' Roll, rolling, sample, sampled music, Saturday Night Live, sax, seventh album, Single, Single Review, Skin, Skrillex, SNL, Song, speak-sing, SRP, Stargate, Stay, string quartet, studio, T-Pain, Talk that Talk, Taylor Swift, Thanksgiving, The Way You Make Me Feel, The-Dream, track, Umbrella, Umbrella ft. Jay-Z, United World Chart, vinyabarion, What Now, Who's Afraid of Music, World Music, 安室奈美恵
Diamonds
• October 8, 2012 • 1 CommentPosted in Rihanna, Single Review
Tags: 2012 in music, 80s, acid, American, Barbados, Benjamin Levin, Benny Blanco, blues, celebrities, celebrity, chorus, Christina Aguilera, classic american song structure, dance, Def Jam, Diamonds, ECSTASY, entertainment, fire bomb, international, Jay-Z, LSD, MDMA, Mikkel S. Eriksen, molly, music, new music, piano, pop, power ballad, R&B, Rihanna, Rihanna Fenty, rihanna's seventh studio album, riri, Rock n' Roll, Sia Furler, Single, song structure, Soul, Stargate, synth, Taylor Swift, thematic, thematic melody, theme, Tor Erik Hermansen, Unfaithful
Fluorescent Records Presents: Summer Vacation Part 3
• July 15, 2012 • Leave a CommentPosted in AbdeCaf, Album Review, ARPEGGI8, Compilation Album, Khan Kurra, PΛLM ΛRRΛY, VΞRACOM
Tags: AbdeCaf, ARPEGGI8, CHOIR GIRLZ / PRAISE POSIEDON, Crew Love, Drake, Fluorescent Records, Fluorescent Records Presents: Summer Vacation, Gulla Gulla Island, GVLLΛ GVLLΛ ISL∑ND, indie music, indie pop, Keith Sweat, Khan Kurra, micromovement, music, music blog, music critic, music criticism, music review, Nadjya, Old Flame, Palm Array, PΛLM ΛRRΛY, post music industry, R&B, Real Man, Russia, sampling, Summer Vacation, synthpop, Take Care, underground, VΞRACOM, Who's Afraid of Music, witch house
Fluorescent Records Presents: Summer Vacation Part 2
• July 14, 2012 • Leave a CommentPosted in Album Review, Compilation Album, DARK MOTHER, Drowning the Colossus, ghostandthesong, GREATBEER, H∆LҒ†LIҒΞ, Koda, ni'en:bhed, Pe† Ceme†ery, POLYHYMNIΔ, PrettyFaces SplitOpen, Smesh Party
Tags: 60s, ambient, auto-tune, Beth, Dali, dark, DARK MOTHER, Drowning the Colossus, Drowning the Light, Fluorescent Records, Fluorescent Records Presents: Summer Vacation, Free David, future garage, garage, Generator, GREATBEER, H∆LҒ†LIҒΞ, house, indie, indie label, indie pop, indie rock, industrial, Koda, lycanthropy, Michael Jackson, music blog, music critic, music criticism, ni'en:bhed, Pe† Ceme†ery, Pet Cemetary, Polyhymnia, POLYHYMNIΔ, pop, pop / rock, PrettyFaces SplitOpen, PrettyFacesSplitOpen, R&B, rock, shadows & the wolf below, Summer Vacation, synthpop, T-Pain, Tallahassee, Tallahassee music, The Princess of the Internet is Dead, vinyabarion, Who's Afraid of Music, witch house
POLYHYMNIΔ: C▲† L▲DY / ΞND †IMΞS
• July 1, 2012 • Leave a CommentPosted in Album Review, POLYHYMNIΔ
Tags: ambient, Arc, atmospheric bass music, Aural Sects, Bijou Win†ers, Bijou Winters, Bjork, BL▲CK CEILING, Burial, Cat Lady, Cat Lady / End Times, C▲† L▲DY / ΞND †IMΞS, Drowning the Colossus, electronica, End Times, Ʌ, Fever Ray, Fluorescent Records, future garage, house, industrial, James Blake, Khan Kurra, Koda, Kremlin Dusk, Madeleine L'Engle, music review, oOoOO, Open House Conspiracy, Poe, Polyhymnia, Polyhymnia O'Keefe, POLYHYMNIΔ, R&B, Rated R, Regina Spektor, Rihanna, rock, Sarasote, ska-punk, Tallahassee, Tallahassee music, The Mars Volta, underground music, Utada Hikaru, VS//YOUTHCLUB, Waves, Who's Afraid of Music, witch house
